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Ph.D. Dissertations |
| Rakhshandeh Nabizadeh, “The Discourse of Madness in Three Major Shakespearean Tragedies” (to be defended) |
| Muhammad Sadegh Zarei, “Narratology and the Ethics of Alterity in Naipaul’s Major Fiction” (to be defended) |
| Saba Azimi, “Body as Metaphor: A Study of Mid-Twentieth Century Major American Women Poets” (to be defended) |
| Ghiasuddin Alizadeh, “The Dawn of Freedom or the Dusk of Captivity: Psychoanalytical Study of the Major British Romantic Poets” (Shahid Beheshti University, January 2018) |
| Narges Montakhabi Bakhtvar, “Language, Biopolitics, and Poetics of Potentiality in Richard Foreman’s Theater” (Shahid Beheshti University, October 2015) |
| Fariba Parvizi, “Dynamics of Identity: Canonical American Feminist Science Fiction from 1960s to1990s” (Shahid Beheshti University, January 2013) |
| Azita Arian, “Poetics of Becoming: A Deleuzian Reading of Shakespeare’s Major Plays” (Islamic Azad University, December 2012) |
| Mohammadreza Noorollahi Ravari, “A Deconstructive Reading of Five Major Feminist Novels by African-American Women Writers” (Islamic Azad University, Summer 2012) |
| Naeimeh Tabatabaei Lotfi, “A Cultural Reading of Memory in Amy Tan and Ian McEvan” (Islamic Azad University, Summer 2012) |
| Negar Sharif, “Theatricalization of Female Experience: A Post-Structuralist Feminist Study of Susa Sontag’s Fiction,” (Shahid Beheshti University, Spring 2012) |
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M.A. Theses |
| Azari, “Temporality of power: Productive forces in David Mitchell’s Cloud Atlas and Ghostwritten” (Shahid Beheshti University, to be defended) |
| Farzad Hosseini, “Narratives of Fantasy: Formulations and Contestations in the English Epyllion” (Shahid Beheshti University, to be defended) |
| Fahime Mirzapour, “The Children of Loss: Traumatic Experience and The Violent World of Fantasy in Roald Dahl’s James and the Giant Peach, The BFG, Matilda and The Witches” (Shahid Beheshti University, May 2018) |
| Mohammad Mehdi Kimiagari, “The Hidden Matrix: Agambenian State of Exception, Homo Sacer and Bare Life in Yaël Farber’s Stage Production of Arthur Miller’s The Crucible” (Shahid Beheshti University, January 2018) |
| Sharare Ashuri Shadehi, “History, Trauma and the Indigenous Identity in Anthony Eaton’s A New Kind of Dreaming, Gary Crew’s No Such Country and Strange Objects, and Victor Kelleher’s Baily’s Bones” (Shahid Beheshti University, January 2018) |
| Maryam Bizar, “Everyman in the Postmodern Hamlet, Rosencrantz and Guildenstern Are Dead: A Deleuzian Analysis” (Shahid Beheshti University, August 2017) |
| Shirin Sadat Safavi, “Capitalism and Its Discontents in J. K. Rowling’s Harry Potter” (Shahid Beheshti University, August 2017) |
| Farzaneh Salimi, “Women in Memory Plays of Harold Pinter: A Kristevan Reading” (Shahid Beheshti University, August 2017) |
| Tala Azarakhsh, “Desire and Becoming: A Deleuzean Reading of William Shakespeare’s Major Comedies” (Shahid Beheshti University, January 2017) |
| Salar Ghatta, “Belated Narratives in Nabokov’s Pale Fire” (Shahid Beheshti University, September 2016) |
| Salar Ghatta, “Belated Narratives in Nabokov’s Pale Fire” (Shahid Beheshti University, September 2016) |
| Mohammad Affianian, “A Tale of Two Utopias: A Comparative Study of Thomas More’s Utopia and Al-Farabi’s Ara” (Shahid Beheshti University, January 2016) |
| Mohammad Affianian, “A Tale of Two Utopias: A Comparative Study of Thomas More’s Utopia and Al-Farabi’s Ara” (Shahid Beheshti University, January 2016) |
| Forough Emam, “A Kristevan Reading of Sam Shepard’s Three Major Plays” (Shahid Beheshti University, September 2015) |
| Javad Abrehdari, “A Post-Jungian Study of Shakespeare’s As You Like It” (Islamic Azad University, September 2015) |
| Saman Zoleikhaei, “Lacanian Reading of James Joyce’s Exiles” (Shahid Beheshti University, July 2015) |
| Masoud Forouhar, “Faustus as Desiring Machine” (Shahid Beheshti University, December 2014) |
| Ahmad Bozorgmehr, “An Analysis of Lacanian Gaze in Lewis Carroll’s Alice in Wonderland and Tim Burton’s Cinematic Adaptation’ (Shahid Beheshti University, September 2014) |
| Elias Naqipour, “The Politics of Change: A Žižekian Reading of Harold Pinter’s Major Plays” (Shahid Beheshti University, September 2013) |
| Parastoo Nasrollahzadeh, “Mother-Daughter Relationships in Major Plays of Caryl Churchill Based on the Theories of Luce Irigaray” (Shahid Beheshti University, September 2013) |
| Hamed Morovatdar, “Female Identity in Donne’s Songs and Sonnets and Elegies” |
| Tahereh Omidkhah, “History and Memory in Tom Stoppard’s Arcadia and Rosencrantz and Guildenstern Are Dead” (Shahid Beheshti University, Spring 2013) |
| Ghiasuddin Alizadeh, “A Post-structuralist Reading of Samuel Taylor Coleridge’s The Rime of Ancient Mariner” (Shahid Beheshti University, January 2013) |
| Sara Nazokdast, “Locating the Cogito in Beckett’s Waiting for Godot” (Shahid Beheshti University, February 2012) |
| Shadi Ghazimorai, “Postmodern Love: Desire and the Lover’s Discourse in the Short Stories of Raymond Carver,” ((Shahid Beheshti University June 2011) |
| Farhad Jafari, “Interpellation and Textual Paradoxes in Elizabeth Gaskell’s Mary Barton” (Shahid Beheshti University, March 2010) |
| Navid Sharifi, “Paranoid Psychosis in Kurt Vonnegut’s Slaughterhouse-Five” (Shahid Beheshti University, June 2010) |
| Ali Nakisa, “Machiavellianism, Power and Subversion in Shakespeare’s Henry IV and Henry V” (Shahid Beheshti University, June 2009) |
| Mohsen Fakhri, “A Post-Colonial Study of Sir Thomas More’s Utopia” (Shahid Beheshti University, January 2009) |
| Sara Saei Dibavar, “Emily Bronte’s Wuthering Heights Based on Julia Kristeva’s Psychanalytic Ideas” (Shahid Beheshti University, January 2009) |
| Fatima Tofighi, “Shakespeare’s Antony and Cleopatra: An Iserian Reading” (Shahid Beheshti University, December 2008) |
| Farangis Ghaderi, “Hypertextual Reading of William Shakespeare’s Romeo and Juliet and Baz Luhrmann’s Cinematic Adaptation” (Shahid Beheshti University, June 2008) |
| Shadi Majidi Tabrizi, “A Feminist Reading of Shakespeare’s Venus and Adonis” (Shahid Beheshti University, January 2008) |
| Mina Haghighat Shahmarasi, “A Semiotic Reading of Harold Pinter’s The Birthday Party and Ashes to Ashes” (Shahid Beheshti University, February 2007) |
| Zeynab Charkhab, “The Identity Crisis in John Webster’s The Duchess of Malfi from a Feminist Perspective” (Shahid Beheshti University, March 2006) |
| Reza Tayebi Sabet Khomami, “A Foucauldian Reading of Nineteen Eighty-Four” (Shahid Beheshti University, March 2006) |
| Sepideh Baniahmadi, “A Structural Observation of the Binary Oppositions in Marlowe’s Doctor Faustus” (Shahid Beheshti University, September 2006) |
| Sarbas Nazari, “A Semiotic Reading of Shakespeare’s Macbeth Based on Jack Gold’s Performance” (Shahid Beheshti University, October 2006) |
| Farzad Shahinfard, “Wordsworth’s Myth of Nature Deconstructed: Allegory and Irony at Work” (Shahid Beheshti University, February 2005) |
| Saeed Asadi, “Love, Patriotism and Gyres in William Butler Yeats’ Poetry” (Islamic Azad University, August 2004) |
| Mohammad Ghavidel, “John Donne’s Concept of Love in the Light of Reader Response Theory” (Shahid Beheshti University, January 2004) |
| Ehsan Emami, “A Comparative Assessment of ‘Reality’ in Eliot’s The Mill on the Floss and Joyce’s Ulysses in a Marxist Framework” (Shahid Beheshti University, September 2004) |
| G. H. Gholampour, “A Marxist Feminist Analysis of Milton’s Paradise Lost” (Shahid Beheshti University, February 2004) Theory” (Shahid Beheshti University, January 2004) |
| Sanam Dolatshahi, “An Analytic Study of women in James Joyce’s Dubliners Under the Light of Feminism,” (Islamic Azad University 2004) |